November 09, 2017
J.B. Smoove – comedian, actor, writer – is currently starring as the hilarious Leon Black in the ninth season of Larry David's "Curb Your Enthusiasm," back on air after a six-year hiatus.
In an interview with PhillyVoice, Smoove talks "Curb," The Book of Leon: Philosophy of a Fool, which he penned as the character, and his stand-up comedy.
Smoove will be at the Valley Forge Casino Resort in King of Prussia on Nov. 17.
A. I don't think we realize how much we prepare ourselves for certain things. When I first started doing stand-up, the first thing I did was take an improv course. I'll tell anybody – I think improvising comes in handy for any profession because I think it allows you to step out of that structured situation and be able to change gears.
Working with Larry and working on 'Curb,' who knew me taking an improv course 25 years ago would come in handy? It's definitely fun. Larry is a master at what he does. He's a genius. He puts you in these amazing situations with the outlines he gives us for the show – it doesn't have any dialogue or a script. It just opens your character up to these different storylines that you can create in the moment.
People are always asking me, 'Is Larry the same guy on-set as he is off-set?' I always say that he's a version of himself. Larry off-camera has his quirks and Larry on-camera has his quirks. I think they're the same but they're different.
A. At first, I was going to do a J.B. Smoove book and I started writing it.
One day, I was on set with Larry and we were talking in-between scenes and I was saying, 'I'm writing this book. I'm about a quarter through it and it's coming along good.' Somehow we started talking about Leon and Larry said, 'You know what, you got to write a Leon book.' I said, 'Wow, you know, I was thinking about that but I wasn't sure I would be allowed to do it.'
I went home, scrapped everything else I was working on and started working on a Leon book. I felt like the character had a unique voice that people who are true 'Curb' fans love. They love the insight he gives Larry – his 'good/bad' advice. I always say, 'Leon, he ain't wrong, he just ain't right' [laughs].
I wanted the book to be smart, funny and fun, but I didn't want to write over the character's head. I wanted to write on things that Leon would be knowledgeable on. I wanted to make it a point to address all the Leon-isms that people love – like 'Get in that a**, Larry' – and give clarity on who this dude is.
While I was writing the book, I would make sure to channel Leon. I would put my little do-rag on, put my little slippers on, my little robe and my socks up to my knees, and I would feel the character even more because I felt that living vicariously through him would set the tone for the book to be real true to character."
I kind of wrote the book the way I perform on 'Curb.' I didn't want to sit there and make it too wordy or be overly-jokey. I wanted to have that feeling that you, the reader, are Larry and I'm talking to you. If you get the book in audio form, it's really like you're Larry and I'm talking to you.
A. It's almost like you can't help it, but you almost become Larry, in some sense. You see exactly what he sees. Everything becomes a 'Curb' moment.
The other day I was at a restaurant. You know how they ask if you want the sparkling or flat water, and they bring the big bottle over, and they pour the water in the glass and then take the order? While the waitress was taking our order, she was, you know, relaxed, and she ended up putting her whole hand on top of the bottle of water, just covering the whole open top of the bottle while she's talking with us.
I'm sitting there looking at her, looking at the bottle. My wife kicks me under the table and I think, 'Wow, we've become Larry David. We notice every little nuance in life now.'
There's so many things. Like when holding the door open for people, I'm conscious of the distance away they are. Should I let the door go or should I still hold it? Like parking, when people are parked over the line. Larry has ruined me [laughs].
A. I don't really plan my [stand-up] shows. I like my show to be determined by the direction my audience takes me, so I like to improvise a lot in my show. I like to make every show its own thing – its own entity. I like to be in the moment with my audience.
I never like to be a robot on stage. I like to just have fun and use my instincts to have a good time. That's the great thing about doing stand-up, and I've been doing it so long. I've been doing [stand-up] almost 30 years.
A. It is, but I've always been that fun friend, that fun guy, who was always trying to make sure that people have a great time at parties and family reunions. My whole family is funny as hell! I got lucky. All my friends were funny in high school. All my college buddies have great personalities. I think what happened was, I'm just a product of my environment.
I had a goals list and I've marked so many things off that list that I wanted to do. At this point, I'm just enjoying my stand-up. I'm enjoying 'Curb.' I'm enjoying my Leon book. I'm enjoying the commercials. I'm enjoying popping up on late night shows. I'm enjoying these moments of keeping my brand going.
Advice I would give any young comic who wants to get into the business is to start developing who you want to be on-stage and who you want to be off-stage. Start to put those pieces together.