September 22, 2017
“George Wendt portrays J. Edgar Hoover” is likely a sentence most people never expected to see. But since Sept. 12, the portly actor who found TV fame and fortune as uber-slacker Norm Peterson on the beloved 1980s sitcom, “Cheers,” has been doing just that in the world-premiere production of “Rock and Roll Man: The Alan Freed Story.” The musical is making its world debut through Oct. 1. at the historic Bucks County Playhouse.
Hoover, who served for 48 years as the director of the FBI (and its predecessor, the Bureau of Investigation), and who died in 1972, has been a favorite showbiz subject for decades. When he ruled the agency with unprecedented (and since-unequaled) power, he was lionized in film and TV as America’s No. 1 protector of the American way of life. In more recent times, films and TV shows have zeroed in on his personal peccadilloes and character flaws, including his reported decadeslong husband-wife relationship with his top aide, Clyde Tolson, his cozying up to organized crime members and his seemingly megalomaniacal personality.
For his turn as the iconic “G-man” who in the show “prosecutes” ‘50s DJ Freed for undermining the morals and values of America by introducing its kids to rock 'n' roll, Wendt has stayed away from all that.
“[The play] is very much a dream, a fever dream, a nightmare that is very deep in the unconscious and subconscious of Alan Freed. It behooved me to just play into the dreamier, nightmare-ier, cartoonier, if you will, [aspect] of the part.
“It didn’t have to be spot-on Hoover so much as an effective tool for the story.”
Although he became a star on television, “Rock and Roll Man” is hardly Wendt’s first foray into musical theater. In 2010, he created the role of Santa Claus in the Broadway production of “Elf — The Musical” (he’ll reprise the role at Gotham’s Madison Square Garden this holiday season). Most memorably, he appeared, in 2007-2008, on the Great White Way as Edna Turnblad, the mother of protagonist Tracy Turnblad in “Hairspray.”
If you’re thinking Wendt in drag is a mental image you’d rather not have conjured, know that he feels your pain.
“Edna’s early looks in that production are very, very dowdy and she gets glammed up throughout the show,” he said.
When asked about it, Wendt pretty much brushed off his signature role on “Cheers,” claiming he doesn’t make it a point to watch it despite its ubiquity in the cable TV universe."
“The first look was, frankly, hideous. It was pretty awful to see myself in the mirror.”
Did it get better for him as his character got more glamorous looking as the piece progressed?
“Not really,” he replied with a hearty chuckle.
Not that the role didn’t have its rewards.
“Everyone said, ‘You do all that dancing in high heels.’ Honest to God, those were the best shoes I ever had. I don’t think I ever had shoes built for me before. They were great. My lower back never felt better. I think it was the function of the high heels.”
Wendt added that there are benefits to any musical production in which he has participated, especially “the chance to be in a room with these amazing singers and dancers and actors and musicians for several weeks. Every day it’s like a concert for me I get to enjoy. I sit there offstage and watch the ensemble members who are not onstage doing backup vocals, and it’s beautiful — as is the work going on onstage.”
When asked about it, Wendt pretty much brushed off his signature role on “Cheers,” claiming he doesn’t make it a point to watch it despite its ubiquity in the cable TV universe.
“I don’t watch TV really,” he said. “If I see [an episode], I might hang with it for a minute just to see what story it is or what’s happening, but I don’t just sit there and watch it.”
That doesn’t mean he wasn’t grateful to be a part of such a well-loved series.
“I knew going in that the team was pretty solid in terms of [creators] Glen Charles and Les Charles and Jim Burrows. I had worked with them on a guest shot on ‘Taxi’ and was pretty impressed by them.
“And Paramount was a great studio for [multi-camera sitcom production] — ‘Happy Days,’ ‘Laverne & Shirley,’ ‘Taxi’ and all of that, [which were filmed] right down the street. So I had a feeling it was going to be a good show.”
He also admitted that it wasn’t anything the cast and crew could control that made “Cheers” the ratings powerhouse it ultimately became.
“The TV critics liked it, and the [Emmy voters] liked it — we won the Best Comedy Emmy our first year,” he noted. “But the ratings were terrible until we got behind ‘The Cosby Show,’ which was an immediate smash right out of the box.”
Bucks County Playhouse, 70 S. Main St., New Hope. Show times vary; $85-$40; 215-862-2121. Click here for more information.